Best Movies To Buy 2017
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Kumai Nanjiani and wife Emily V. Gordon co-wrote this touching portrait of the cultural clash that threatened their relationship, and in doing so they delivered one of the great crowd-pleasers of 2017.
#1 Get Out (2017) 98% #1 Adjusted Score: 126239% Critics Consensus: Funny, scary, and thought-provoking, Get Out seamlessly weaves its trenchant social critiques into a brilliantly effective and entertaining horror/comedy thrill ride. Synopsis: Now that Chris and his girlfriend, Rose, have reached the meet-the-parents milestone of dating, she invites him for a weekend... [More] Starring: Daniel Kaluuya, Allison Williams, Catherine Keener, Bradley Whitford Directed By: Jordan Peele #2 The Big Sick (2017) 98% #2 Adjusted Score: 119201% Critics Consensus: Funny, heartfelt, and intelligent, The Big Sick uses its appealing leads and cross-cultural themes to prove the standard romcom formula still has some fresh angles left to explore. Synopsis: Kumail is a Pakistani comic, who meets an American graduate student named Emily at one of his stand-up shows. As... [More] Starring: Kumail Nanjiani, Zoe Kazan, Holly Hunter, Ray Romano Directed By: Michael Showalter #3 Dunkirk (2017) 92% #3 Adjusted Score: 124955% Critics Consensus: Dunkirk serves up emotionally satisfying spectacle, delivered by a writer-director in full command of his craft and brought to life by a gifted ensemble cast that honors the fact-based story. Synopsis: In May 1940, Germany advanced into France, trapping Allied troops on the beaches of Dunkirk. Under air and ground cover... [More] Starring: Fionn Whitehead, Tom Glynn-Carney, Jack Lowden, Harry Styles Directed By: Christopher Nolan #4 Wonder Woman (2017) 93% #4 Adjusted Score: 126753% Critics Consensus: Thrilling, earnest, and buoyed by Gal Gadot's charismatic performance, Wonder Woman succeeds in spectacular fashion. Synopsis: Before she was Wonder Woman (Gal Gadot), she was Diana, princess of the Amazons, trained to be an unconquerable warrior.... [More] Starring: Gal Gadot, Chris Pine, Connie Nielsen, Robin Wright Directed By: Patty Jenkins #5 Lady Bird (2017) 99% #5 Adjusted Score: 126947% Critics Consensus: Lady Bird delivers fresh insights about the turmoil of adolescence -- and reveals writer-director Greta Gerwig as a fully formed filmmaking talent. Synopsis: A teenager (Saoirse Ronan) navigates a loving but turbulent relationship with her strong-willed mother (Laurie Metcalf) over the course of... [More] Starring: Saoirse Ronan, Laurie Metcalf, Timothée Chalamet, Lucas Hedges Directed By: Greta Gerwig #6 Logan (2017) 94% #6 Adjusted Score: 124198% Critics Consensus: Hugh Jackman makes the most of his final outing as Wolverine with a gritty, nuanced performance in a violent but surprisingly thoughtful superhero action film that defies genre conventions. Synopsis: In the near future, a weary Logan (Hugh Jackman) cares for an ailing Professor X (Patrick Stewart) at a remote... [More] Starring: Hugh Jackman, Patrick Stewart, Dafne Keen, Richard E. Grant Directed By: James Mangold #7 Baby Driver (2017) 92% #7 Adjusted Score: 119876% Critics Consensus: Stylish, exciting, and fueled by a killer soundtrack, Baby Driver hits the road and it's gone -- proving fast-paced action movies can be smartly written without sacrificing thrills. Synopsis: Talented getaway driver Baby (Ansel Elgort) relies on the beat of his personal soundtrack to be the best in the... [More] Starring: Ansel Elgort, Kevin Spacey, Lily James, Jon Bernthal Directed By: Edgar Wright #8 Star Wars: The Last Jedi (2017) 91% #8 Adjusted Score: 125333% Critics Consensus: Star Wars: The Last Jedi honors the saga's rich legacy while adding some surprising twists -- and delivering all the emotion-rich action fans could hope for. Synopsis: Luke Skywalker's peaceful and solitary existence gets upended when he encounters Rey, a young woman who shows strong signs of... [More] Starring: Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley Directed By: Rian Johnson #9 Coco (2017) 97% #9 Adjusted Score: 121829% Critics Consensus: Coco's rich visual pleasures are matched by a thoughtful narrative that takes a family-friendly -- and deeply affecting -- approach to questions of culture, family, life, and death. Synopsis: Despite his family's generations-old ban on music, young Miguel dreams of becoming an accomplished musician like his idol Ernesto de... [More] Starring: Anthony Gonzalez, Gael GarcÃa Bernal, Benjamin Bratt, Alanna Ubach Directed By: Lee Unkrich #10 Thor: Ragnarok (2017) 93% #10 Adjusted Score: 123996% Critics Consensus: Exciting, funny, and above all fun, Thor: Ragnarok is a colorful cosmic adventure that sets a new standard for its franchise -- and the rest of the Marvel Cinematic Universe. Synopsis: Imprisoned on the other side of the universe, the mighty Thor finds himself in a deadly gladiatorial contest that pits... [More] Starring: Chris Hemsworth, Tom Hiddleston, Cate Blanchett, Idris Elba Directed By: Taika Waititi
Get Out is a 2017 American psychological horror film written, co-produced, and directed by Jordan Peele in his directorial debut. It stars Daniel Kaluuya, Allison Williams, Lil Rel Howery, LaKeith Stanfield, Bradley Whitford, Caleb Landry Jones, Stephen Root, and Catherine Keener. The plot follows a young black man (Kaluuya), who uncovers shocking secrets when he meets the family of his white girlfriend (Williams).
Get Out premiered at the Sundance Film Festival on January 23, 2017, and was theatrically released in the United States on February 24, 2017, by Universal Pictures. The film received critical acclaim for its screenplay, direction, acting, and social critiques. It was a major commercial success, grossing $255 million worldwide on a $4.5 million budget, with a net profit of $124.3 million, making it the tenth-most profitable film of 2017.[2]
Get Out has maintained a strong reputation since its release, and it is commonly cited by critics as one of the best films of the 21st century, featuring in multiple listings of the best films of the 2010s.
Although this movie was filmed in Alabama, Jordan Peele has stressed that the story is not supposed to be understood as taking place in Alabama or anywhere in the South. During a February 2017 interview with Bethonie Butler in the Washington Post, Peele said \"he deliberately avoided setting the movie in red state territory. 'It was really important for me to not have the villains in this film reflect the typical red state type who is usually categorized as being racist. It felt like that was too easy,' he said. 'I wanted this film to explore the false sense of security one can have with the, sort of, New York liberal type.'\"[21] According to a February 2017 Geoff Herbert article in the Syracuse (NY) Post-Standard, the movie is set in Upstate New York.[22]
Get Out grossed $176 million in the United States and Canada and $79.4 million in other territories for a worldwide gross of $255.5 million, against a production budget of $4.5 million.[1] Deadline Hollywood calculated the net profit of the film to be $124.8 million, when factoring together all expenses and revenues, making it the 10th most profitable release of 2017.[43] Vulture described Get Out's 5.3 multiple as \"staggering\".[44]
In March 2017, three weeks after its release, Get Out crossed the $100 million mark domestically, making Peele the first black writer-director to do so with his debut movie.[50] On April 8, 2017, the film became the highest-grossing film domestically directed by a black filmmaker, beating out F. Gary Gray's Straight Outta Compton, which grossed $162.8 million domestically in 2015. Gray reclaimed the record two weeks later when The Fate of the Furious grossed $173.3 million on its fourteenth day of release on April 27.[51] Domestically, Get Out is also the highest-grossing debut film based on an original screenplay in Hollywood history, beating the two-decade-long record of 1999's The Blair Witch Project ($140.5 million).[50] By the end of March, Los Angeles Times had declared the film's success a \"cultural phenomenon\" noting that in addition to its box office success, \"moviegoers have shared countless 'sunken place' Internet memes and other Get Out-inspired fan art across social media.\" Josh Rottenberg, the editor of the piece, attributed the film's success to the fact that it was released \"at one of the most politically charged moments in memory.\"[25]
Critic Armond White gave a negative review in National Review, referring to the film as a \"Get-Whitey movie\" and stating that it \"[reduces] racial politics to trite horror-comedy ... it's an Obama movie for Tarantino fans.\"[60] The New York Observer critic Rex Reed included the film on his list of 10 Worst Films of 2017,[61] and later sardonically stated in a CBS Sunday Morning interview, \"I didn't care if all the black men are turned into robots.\" A writer on Sunday Morning's website noted that there are no robots in the film.[62]
In 2018, IndieWire writers ranked the script the third best American screenplay of the 21st century, with Chris O'Falt arguing that Peele \"walked a narrative tightrope that required as much craft as insight [...] the audience's understanding of what Chris (Daniel Kaluuya) is thinking and feeling is always clear. Hitchcock-like in its execution, and playing off genre and audience expectation (especially about how racial dynamics are traditionally portrayed on screen), the twists and turns of \"Get Out\" are not only gasp-inducing; each one reveals a new layer to its exploration of systematic racist belief systems.\"[63]
Faces Places, which finds 89-year-old director Agnes Varda roaming the French countryside with 33-year-old photo-muralist J.R., outscored all other releases in 2017. It's the first time in five years that no film has exceeded a score of 95. And the year's highest-scoring, English-language narrative film, Dunkirk, scored \"only\" 94. 59ce067264
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