Sharma was born on 13 January 1938, in Jammu in the princely state of Jammu and Kashmir in British India. His father Uma Dutt Sharma was a vocalist and a tabla player. His father started teaching him vocals and tabla, when he was just five. His father saw an opportunity to introduce him to the santoor, a hammered dulcimer, which was a folk instrument that traced its origins to ancient Persia, but was played in Kashmir. He saw the styles that integrated Sufi notes with traditional Kashmiri folk music and had his son play the instrument that was then new to Indian classical music. Sharma started learning santoor at the age of thirteen and gave his first public performance in Mumbai in 1955.
Starting his career playing the santoor with his father, Sharma is credited with introducing the santoor as a popular Indian classical music instrument. He recorded his first solo album in 1960. Sharma took the santoor as an Indian classical musical instrument playing at various music venues. He collaborated with Indian tabla player Zakir Hussain and with flautist Hariprasad Chaurasia on many of his performances as well as on his albums. In 1967, he teamed up with Chaurasia and guitarist Brij Bhushan Kabra to produce a concept album, Call of the Valley (1967), which turned out to be one of Indian classical music's greatest hits.
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Sharma, who died in Mumbai on Tuesday, aged 84, leaves behind a treasure trove of memories. In every concert, he dazzled audiences with his magical renditions. In film music, he teamed up with flautist Pandit Hariprasad Chaurasia to form the duo Shiv-Hari. The music of the films Silsila (1981), Chandni (1989), Lamhe (1991) and Darr (1993) was much acclaimed. After working on eight films, both musicians decided to focus on classical music.Born in Jammu on January 13, 1938, Sharma was initiated into music by his father Pandit Uma Dutt Sharma. After learning vocals and tabla, and even performing for the Jammu radio station when he was 12, he was drawn to the sound of the santoor, which was played commonly in the Kashmir region.
He had his critics, as traditionalists felt the santoor could not replicate certain features typical to Indian classical music. But Sharma increased its melodic range, changed its tuning, and reworked his technique to make it more conducive to classical music.
In our study, the participants in the instrumental group showed a statistically significant decrease in systolic and diastolic BP with increase in SpO2 after intervention. Decrease in HR was also observed though not statistically significant. Our findings are substantiated by Kotwal et al. who found significant difference in systolic and diastolic BP, HR, and respiratory rate in patients who were made to listen music. Researches done in the past have suggested that a listener's personal music preferences increase the ability of a specific type of music to attenuate an individual's stress levels. Several studies have observed the relaxing effect of classical music, whereas genres such as hip hop, techno music, and heavy metal are commonly associated with physiological arousal. More specifically, a study by Gerra et al. found that listening to techno music led to significant increases in HR and norepinephrine, cortisol, and adrenocorticotropic hormone levels. According to the research by Bernardi et al., slower or more meditative music such as raga music had significant effect on reducing the HR while faster music and more complex rhythms such as rap, techno, and fast classical had significant effect on increasing the respiratory rate, HR, and BP. Bernardi et al. found that healthy volunteers who listened to self-selected or classical music after exposure to a stressor showed a significant decrease in self-rated anxiety, whereas those exposed to heavy metal or silence did not. This may explain the difference of physiological effects observed in the subjects of our study, when they were made to listen to Vedic chants and Indian classical instrumental music.
Shivkumar Sharma (born January 13, 1938) is an Indian Santoor player. The Santoor is a folk instrument from Jammu and kashmir. Sharma is often referred to by the title Pandit. He was born in Jammu to the singer Uma Dutt Sharma and his mother tongue is Dogri. His father started teaching him vocals and tabla when he was just five. Uma Dutt Sharma did "extensive research" on the santoor, and decided that Sharma should be the first musician to play Indian classical music on the santoor. So he started learning santoor at the age of thirteen, and made his father's dream come true. He gave his first public performance in Bombay in 1955.
Santoor player Rahul Sharma has carved a niche for himself in the world of Indian classical and fusion world music with over 60 released albums over 15 years. Sharma learned music and the santoor from his father and guru, the legendary Pt. Shivkumar Sharma. Shivkumar Sharma was instrumental in bringing the little-known santoor out of the valleys of Kashmir and introducing it to the Indian classical music world.
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The Vocal / instrumental music and dance courses at Divya Music School include the following popular genre / styles: Vocal music (Hindustani / Carnatic) - Classical vocal, light classical vocal and Rabindra Sangeet. The Instrumental music courses include - playing Rhythm based music Instruments: Tabla, Dholak, Drum, Pakhawaj and Congo etc., Key based music Instruments: Harmonium, Piano, Keyboard etc., String based musical Instruments: Tanpura, Sitar, Guitar, Violin etc. and Wind (Brass /woodwind) based musical instruments: Flute, Mouth organ etc.
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Music teacher salaries range between Rs. 10,000 and 20,000. But in a few years, it will remain sweet. A talented musician gets an open hand in a free community such as a theater, sings music at weddings, joins a music file, or gets a job with music companies.
Instruments used with the traditional music of Kashmir range from the well-known santoor and sitar to the more traditional rabab and surnai, among others. Here is a list of the famous traditional musical instruments of Jammu and Kashmir.
Santoor: Popularized by Pt. Shivkumar Sharma, who hails from Jammu, the santoor is an important accompaniment for Kashmiri folk and Sufiyana music. This instrument is trapezoidal in shape with 12 wires and 12 knobs on the sides.
The beautiful sounds pattern commonly referred to as music requires the art of mastering the incorporation of various instruments to make it more lively and lovely. Multiple categories of devices are associated with the creation of a harmonious melody within the art. However, there are those instruments that traditionally have been known for their effectiveness in passing intended messages in music. Narrowing down to a single apparatus, the context will be exploring the santoor instrument that is linked with Indian culture and originality. 2b1af7f3a8